Reviewed by Judd Hollander
The most important element of any circus is the ability to instill feelings of joy and amazement in its audience. Something Big Apple Circus, now beginning its 42nd season, repeatedly provides. The audience responding with continual and enthusiastic applause as they witness attractions guaranteed to make one cry out in delight or gasp in wonder. This one-ring extravaganza currently ensconced under a gigantic big top at
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The fun starts the moment one enters the circus grounds. As ticket holders get to walk through a sort of midway that offers everything from cotton candy and snow cones to ice cream and pretzels. There is also an area for adult beverages, should those of a certain age so desire. And of course, there is popcorn. Pieces in boxes one can munch on, and pieces the size of small boulders (appropriately colored) the younger set can investigate. Members of the Big Apple troupe - including a rather impressive fellow on stilts - mingling with the audience before the show begins. There’s even appropriate music provided, with such songs as “Lollipop” and “Sunshine, Lollipops and Rainbows” heard over the sound system.
Once the circus proper begins, the show's thrill factor makes an appearance rather quickly. Thanks to, among others, Maryna Tkachenko and Tetyana Yudina, two Ukrainian aerial acrobats. Particularly heart-stopping is a sequence where one of the two supports the other via a strap in her teeth while being suspended by a wire from the ceiling. Did I mention this takes place as they are twirling around in mid-air without a net? Other acts that fall into the “don’t try this at home” category involve a performer (Jayson Dominguez) jumping rope atop a continually moving Wheel of Death. As well as a sequence featuring a person doing a handstand on the handlebars of a bicycle, on a tightrope, more than 30 feet above the floor.
Big Apple Circus. Photo by Matthew Murphy.
One can’t help but be impressed by the level of control the performers need to have over their body's muscles in order to make all these feats come off as planned. The intense concentration often clearly etched on their faces. Not to mention the tremendous trust they have with those they work with. One person holding onto a pole while completely parallel to the floor as another performer was balanced on their body being one such example of this. As was the splendid work done by the acrobatic Aliev Troupe; whose performances on the tightrope and the trapeze yielded more than a few electrifying moments.
A bit closer to the ground, one could enjoy the efforts of horse riders Caleb Carinci and Renny Spencer. Carinci at times leaping from one animal to another while both were in motion. Also quite fun are the various routines performed by the Savitsky Cats. A group of very talented, and occasionally temperamental “acrocats” making their Big Apple Circus debut. There were also some rather inventive juggling routines; such as one that featured open umbrellas, courtesy of Kyle Driggs.
Big Apple Circus. Photo by Matthew Murphy.
Comic relief is provided by a large purple pigeon (Amy Gordon). While she hasn't quite gotten the hang of flying yet - she's afraid of heights - she's more than happy to strap on some roller skates, or let loose with a few pigeon-related puns every so often. The various events, some of which include a bit of audience participation, all taking place under the watchful eye of Storm Marrero; Big Apple Circus' Brooklyn-born female singing ringmaster. Ms. Marrero proving to be quite the master of ceremonies. She introducing the different acts and inserting herself into the ongoing narrative when needed. The work by directors Cecil MacKinnon & Jack Marsh, composers Ada Westfall and Janine Delwarte, and costume designer Emilio Sosa, as well as the music provided by the live in-house band, all go a long way towards making the show a totally enjoyable experience.
Big Apple Circus succeeds so well thanks to its ability take the audience out of themselves and put them completely in the moment with the action taking place. Be it kids “oohing” and “aahing”, or adults re-discovering their inner child, the end result is one of sheer delight. Go make plans to see this one. Now. Whatever your age, you’ll be very glad you did.
Also featuring: The Lopez Troupe (High Wire Act), Hovey Burgess (Circus Scholar), Abel Driggs, Daniel Bridon Benitez (Chinese Pole), Rafael Ferreira, Alan Pagnota (Hand to Hand).
Big Apple Circus
Directors: Cecil MacKinnon & Jack Marsh
Westfall, Janie Delwarte Ada
Music Director: Wages Argott
Lighting Designer: Jess Alford
Costume Designer: Emilio Sosa
137 West 62nd Street
- between and Columbus
Running Time: 1 hour, 55 minutes, which includes one intermission